Fuck No! Zombies
This is most likely the movie we would have gotten had the goddamn German producers (Constantin Films) decided not to be Deutschbags. According to an interview, the script was well-received at Capcom, but the German producers, who had bought the rights to the film, didn’t “get it”, and wanted something they could serialize. There are some things about the script that I don’t like, but I won’t get into it because no one cares, but it’s still a hell of a lot better than the bullshit we got.
WESKER
And… you are?
CHRIS
Nobody. Just a…a local guy…
Chris spots a dry lab-coat hanging on a wall hook. He takes it down and uses it to dry his rifle.
CHRIS (cont.)
…who gets pissed-off when he finds… his farm animals… and his father’s oldest friend… dead. And the only woman he ever cared about turns out to be a goddam METAL HEAD!
Wesker, while seeming to understand, still doesn’t look up.
WESKER
Valentine…who is this asshole?
JILL
His name is Chris Redfield. He was… part of my cover, sir.
CHRIS
Cover?
December 2009
15 posts
Re: Your Brains - Jonathon Coulton
see I’ll paralyze them with poetry, cause if there’s anything a zombie understands, it’s desire: Meanwhile, you lay down suppressive fire and we’ll take out as many as we can. And if in the end we are overrun, I’ll let them take me so you can get away. They can have my brain,
it’s my heart that beats for you.” —
-Gabriel Gadfly
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(via cupcakefetish)Director Rusty Nails’ is currently working of Dead On: The life and cinema of George A. Romero. Dead On will go over George’s fantastic body of film work as it stands to date. We will also investigate a number of aspects of George’s work, working style, and involvement with the independent and Hollywood film communities. Among some of the current participants in Dead On are Dennis Hopper, Ed Harris, Stephen King, John Carpenter, Dario Argento, Danny Boyle, John Waters, Quentin Tarantino, Richard Linklater, Penn (Penn & Teller), Roger Ebert, Tom Savini, and many others.
George Romero is one of the most important voices in independent cinema. Mr. Romero’s debut feature Night of the Living Dead scared people around the world and would be the starting point of a life long journey into intelligent, thought provoking cinema for George which would lead to the creation of such milestone films as The Crazies, Martin, Dawn of the Dead and Day of the Dead. George Romero’s films are noted for their wit, keen topical observations and superb character dynamics. Rusty Nails’ film, DEAD ON: The life and cinema of George A. Romero, will delve into George Romero’s lifelong obsession with creating fantastic films.
